📁 葛开元/KAIYUANGE/KAI

数字艺术/导演/舞台设计/Digital art/Directing/Stage design

社交媒体/Social Media

创作理念：不同的时期有不同的理念，最早的时候是发泄心中对于固有存在着上百年或者几千年的一些成见的不满。因为那时候自己处于一个挣扎的状态，很想通过自己的方式去批判一些东西。后来自己走出挣扎以后试图去发现一些很多人不以为然的但是一直影响我们生活的东西。因为感觉人类的渺小，逐渐温和逐渐去探寻一些更为静谧的艺术。

At different times, my ideas took different shapes. In the beginning, I was struggling—fueled by dissatisfaction with long-standing beliefs that had endured for centuries. I used my work to resist, to question, to express what I could not say outright. As I gradually stepped out of that struggle, I turned to the subtle forces that quietly shape our lives, the ones people often overlook. Realizing the smallness of human existence, my voice softened. I began to search for stillness, for meaning in quiet places, and for a kind of art that listens more than it speaks.

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VEDIO

WAIDAO

外道项目介绍/Project Introduction

Those who deviate from orthodoxy, I call “outsiders.” Eccentric and rare in every era, such individuals may not appear for decades. If they manage to survive in the world, it must be through breaking the oppression of their contemporaries, enduring with powerful personal charisma and forward-thinking ideas.

Notably, such people often become guides for the next generation—pioneers of new thoughts and values. They resemble characters from a time machine, traveling from the future to spread new ideas. At the very least, these individuals enable people to see diversity beyond the narrow confines of conventional thinking. The “worship of outsiders” itself holds existential value and represents a forward-looking concern.

偏离正统的存在，我称之为“局外人”。“局外人”在每个时代都属异类，可能数十年都难得一见。若这样的人能够存活于世，必定是突破了当代人们的压迫，以强大的个人魅力与先进的思想顽强地生存下来。值得注意的是，这样的人往往会成为未来一代新思想、新价值的引路人。

他们就像是乘坐时光机，从未来而来，传播全新的观念。至少，这种人能够让人们看见不同于当下固有思维的多样性特质。对“局外人”的崇敬也具有存在的价值，是一种面向未来的关切。

我与选题的缘分/My Connection with the Topic

大概是2023年的处于比较压抑的状态，想做一个项目宣泄自己的感情。我本人小时候就特别喜欢王尔德的《道连葛雷的画像》